Vinyl Frontier Records

King Crimson - December 12 2015 Festival Hall Osaka Japan (Shm)

Details

Format: CD
Label: UNIVERSAL JAPAN
Rel. Date: 05/01/2026
UPC: 4988031835852

December 12 2015 Festival Hall Osaka Japan (Shm)
Artist: King Crimson
Format: CD
New: Not in stock
Wish

Formats and Editions

DISC: 1

1. Entrance: Monk Morph Music of the Chamber
2. Peace
3. Larks' Tongues in Aspic, Part I
4. Scenes of a Cold City
5. Epitaph (Tombstone Inscription)
6. Radical Action
7. Meltdown
8. Radical Action II
9. Level Five
10. The Letters
11. Easy Money
12. The Construction of Light
13. Red
14. The Hell Hounds of Krim
15. 21st Century Schizoid Man
16. Starless
17. The Talking Drum
18. Larks' Tongues in Aspic, Part II
19. The Court of the Crimson King

More Info:

King Crimson 2015 Complete 10 Shows Series Part 3 Release No.1 presents the first night of the Osaka Festival Hall two-day performances from December 12, 2015, released on SHM-CD as a Japan-only original project and issued as a 2-disc set in an E-style gatefold cardboard sleeve, documenting the fifth show of the 10-show Japan tour undertaken by Millennium King Crimson during their second year after resuming activities in 2014, with this final third phase of releases following earlier installments in December 2025 and February and covering the regional dates in Osaka, Takamatsu, and the concluding Nagoya show, as the Osaka opening night followed four consecutive Tokyo warm-up performances and marked the band entering full engine mode, notable for having the highest ratio of classic representative songs across the entire tour and featuring an orthodox setlist that included all major songs except Sailor's Tale, One More Red Nightmare, and VROOOM, while showcasing the enhanced interplay between the three drummers and Tony Levin's bass, particularly in the second half beginning with a jazz-funk reinterpretation of The ConstruKction of Light that introduced a new groove and led into a succession of iconic tracks, with the master sourced from digitally recorded data captured on the day and mixed by Alex Mundy.
        
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