Vinyl Frontier Records - Carrollton

Composed of 10 new tracks and clocking in at 42 minutes, Pink Elephant is produced by Win Butler, R�gine Chassagne and Daniel Lanois.

When experienced in its entirety, Pink Elephant invites the listener on a sonic odyssey � a quest for life � that exists within the perception of the individual, a meditation on both darkness and light, the beauty within.� The layers of this condensed epic unfold to reveal new dimensions with each successive listen.

The Weeknd - Hurry Up Tomorrow (Complete Edition) - Vinyl 2 LP EXPLICIT

Hurry Up Tomorrow (Complete Edition) features 22 tracks on 2 LPs.

Green Day is not your savior. But the spirit of rock n roll might be. And as the greatest punk band alive, they’re the loudest vessel we have... to flip-off the oligarchy. Now, a year into their Grammy-nominated Saviors era—one that’s reignited the music world (and Coachella stage) by storm. Green Day shows no signs of slowing down. Enter Saviors (édition de luxe), dropping May 23, 2025. This expanded version includes 7 bonus tracks: the explosive “Smash It Like Belushi,” “Fuck Off,” “Ballyhoo” and “Underdog,” a reflective “Stay Young,” plus acoustic renditions of “Suzie Chapstick” and “Father to a Son.” Together, they amplify the fire that "The American Dream Is Killing Me" first sparked—now more Molotov cocktail than SOS flare. Amazingly, Saviors represents Green Day's 14th studio album, yet somehow this enduring power trio -- Billie Joe Armstrong, Tré Cool & Mike Dirnt -- remain devoted to their defiant craft that has fueled their career-long destruction of every boundary bestowed on the genre, and landed 3 East Bay punks in the Rock n Roll Hall of Fame. The album was recorded in both London and Los Angeles under the audacious ear and Rock prowess of Green Day's longtime friend & collaborator, GRAMMY® Award-winning producer Rob Cavallo. Need a little inspiration to fight the good fight another day? Fear not. Saviors (édition de luxe) is coming May 23.

Recorded between Los Angeles and their homes in Baltimore, NEVER ENOUGH is produced by TURNSTILE�s Brendan Yates. The expansive collection is a restless and exhilarating evolution of the band�s genre-defying sound. A transformative journey, both fearless and alive, by one of the most forward-thinking and influential bands of their generation.

"moisturizer is the bold, second album from Wet Leg, the Isle of Wight five-piece founded by Rhian Teasdale and Hester Chambers. Joined by Ellis Durand, Henry Holmes, and Joshua Mobaraki, Wet Leg has spent the past few years on the road, evolving into a feral, electrifying live force. This new record captures that energy, delivering a sound that�s tighter, bolder, and more self-assured, yet still brimming with the same quick wit and raw, unrefined energy. Isolated in a remote house in the countryside, moisturizer was written in a creative frenzy, diving into themes of obsession and all-consuming love. While their 2022 debut earned Grammy wins and chart-topping success, moisturizer brings the bite: brash guitars, heavy beats, and a fearless devotion to feeling everything�all at once."

An exclusive vinyl offering to celebrate the 'To Pimp A Butterfly' 10-year anniversary.

Released in November 2000, the Tomorrow Comes Today EP returns to celebrate 25 years of Gorillaz. Pressed on 140g white and blue colour-in-colour 12� vinyl for the first time, the EP is housed in a single sleeve featuring the original cover artwork. Side 1 includes the singles Rock The House and the title track Tomorrow Comes Today, both of which later appeared on Gorillaz' self-titled debut album. Side 2 features a rare English-language version of Latin Simone alongside 12D3, completing the EP. Each vinyl is individually hand pressed, making every copy unique.

Eric Church�s eighth studio album, Evangeline vs. The Machine features 8 new songs, including �Darkest Hour� and �Hands of Time.� A seven-time ACM Award-winner, four-time CMA Award-winner (including the highest honor for Entertainer of the Year) and 10-time GRAMMY-nominee, Church has amassed a passionate fan base around the globe known as the Church Choir, plus a critically acclaimed catalog of music. This followed his Gold-certified Desperate Man, which earned a GRAMMY nomination for Best Country Album (his third nod in the category) and prior releases, including the platinum-certified Sinners Like Me (�How �Bout You,� �Guys Like Me�), Carolina (�Smoke a Little Smoke,� �Love Your Love the Most�) and Mr. Misunderstood (�Record Year,� �Round Here Buzz�), the 2x platin-certified The Outsiders (�Like a Wrecking Ball,� �Talladega�) and the 3x platinum-certified Chief (�Springsteen,� �Drink In My Hand�), as well as 36 gold, platinum and multiplatinum songs.

Sleep Token returns with�Even In Arcadia, their fourth offering and first under RCA Records, set to release on May 9th. This new chapter follows�Take Me Back To Eden�and continues the unfolding journey where Sleep Token further intertwines the boundaries of sound and emotion, dissolving into something otherworldly.�

�Sun was made for coming out, even though the night is long.� Aperture � The Head And The Heart�s sixth album and first since signing to Verve Forecast � is the affirming work of a band finding again its shared footing, reaching unimagined levels of camaraderie and mutual risk as one. With every song fortified by the sense of beginning again, Aperture is The Head And The Heart�s most vital and poignant album. Featuring tracks like the album�s beautifully arcing opener �After the Setting Sun� and the mighty anthem �Arrow,� Aperture is a stunning testament to the collaborative work of a band who decided to let in the light, return to their roots, and forge a new path, together as one.

Pink Floyd - Pink Floyd At Pompeii - MCMLXXII - Vinyl 2 LP

Pink Floyd at Pompeii - MCMLXXII, the groundbreaking 1972 film directed by Adrian Maben, has been digitally remastered and remixed by Steven Wilson. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheatre in Pompeii, Italy, this unique film captures Pink Floyd performing an intimate concert. This audio companion contains the live performances from the film as well as two additional tracks, including a previously unreleased extended version of "A Saucerful Of Secrets".

Produced by Gene Walker and mixed by Andy Wallace and Dan Malsch, GHOST�s sixth psalm, Skelet�, is its most unflinchingly introspective work to date. Where previous albums dealt largely with chronicling and/or observing outward facing subject matter�such as IMPERA�s meditations on the rise and fall of empires and its predecessor Prequelle�s evocations of the ravages of era-defining plagues�Skelet�s lyrics render the distinct individual emotional vistas of each of its 10 songs in one-on-one fashion, at times as if in a dialogue with oneself in a mirror. The end result is a singular collection of timeless, universal sentiments, all filtered through a prism of a uniquely personal point of view.

Side A

1. Peacefield

2. Lachryma

3. Satanized

4. Guiding Lights

5. De Profundis Borealis

�

Side B

1. Cenotaph

2. Missilia Amori

3. Marks Of The Evil One

4. Umbra

5. Excelsis

Forever Howlong is Black Country, New Road�s first studio release since 2022's UK #3 album Ants From Up There, which gave the band their second Top 5 UK album in 12 months alongside their Mercury Prize shortlisted debut For the first time, and follows 2023's Live at Bush Hall, an album The Guardian claimed was a �magical resurgence� in a triumphant five-star review. Now, on studio album three, the band are once again building from the ground up in yet another miraculous musical transformation.

The long-awaited new record was produced by James Ford (Fontaines D.C., Arctic Monkeys, Depeche Mode, Blur) and sees Black Country, New Road settled into a new shape in which vocal duties � and most of the song writing � is split between Tyler Hyde, Georgia Ellery, and May Kershaw. �It created a real through line for the album, having three girls singing," says Ellery. "It's definitely very different to Ants From Up There, because of the female perspective - and the music we've made also compliments that."

Forever Howlong is an ambitious, meticulously detailed record that includes everything from folk to prog via baroque pop and touches of alt-rock � with nods to everything from Joanna Newsom to Randy Newman via Fiona Apple and Janis Ian � yet all the while retaining that unmistakably unique sound that only this combination of musicians can come up with. Although hugely varied and expansive, the album also feels deeply cohesive and focused, as it takes three distinct voices and styles and seamlessly intersperses them into a new collective sound.

Written and recorded over 20 days, �Who Believes In Angels?' is a collaborative studio album between Elton John and Brandi Carlile. It mixes Elton-led songs and Brandi-led songs, with long term collaborator Bernie Taupin and Brandi both contributing lyrics, and producer and co-writer Andrew Watt acting as the producer, mediator and creative conduit. They are backed by a world class band of musicians comprising of Chad Smith, Pino Palladino and Josh Klinghoffer.

2004 Album Reimagined as Originally Intended on Black Vinyl 2LP! Features Resequenced Audio, 3 Additional Tracks, 4 Remixes & Updated Vocals! In 2004 the Drive-By Truckers released what would become the best selling album in their illustrious catalog. The Dirty South is a concept album that examines the state of the South, and unveils the hypocrisy, irony, and tragedy that continues to exist. - The Complete Dirty South is a band-led rework of the original album. Principal member Patterson Hood took the reins and reimagined this record as it was originally intended. The complete version features resequenced audio, three additional tracks, four remixes along with updated vocals.

It is with a certain sadness for his fans across mediums that Donald Glover has declared Bando Stone and the New World the last Childish Gambino album. The ostensible soundtrack to a feature-length movie of the same name, the hour-long project includes snippets of dialogue that hint at the film�s apocalyptic subject matter. The fact that the soundtrack is preceding the actual film is part of Glover�s strategy: He wants listeners to work to figure out what they�re listening to. �The soundtrack forces the audience to participate in a way that I don't feel like most things force you to participate,� he says. �It forces you to have an imagination. I already see people being like, 'This is very cinematic, this must be the part that... This feels like a credit sequence.' A lot of stuff feels flat because it's not asking you to participate. Art used to be you had to participate on some level and have some sort of thought process on it. You can't just be like, 'Oh, this is mid.'� Even without the benefit of the full visuals, these 17 tracks make for a satisfying swan song that synthesizes what came before with fresher ideas gleaned from the threshold of finality

Doechii - "Alligator Bites Never Heal" With her GRAMMY Award-winning mixtape "Alligator Bites Never Heal," rapper, singer and visionary artist Doechii delivers 19 tracks following the weekly "Swamp Session" installments that lit the internet on fire with eye-catching visuals and equally compelling bars. The Best Rap Album-winning project, featuring "DENIAL IS A RIVER" and "NISSAN ALTIMA," captures a rare talent in her rawest form yet giving listeners distinct windows into her one-of-a-kind artistry. EXPLICIT

Heartbreaker� that �kicks down the door of this next musical chapter� (American Songwriter) and the title track, �Honkytonk Hollywood.� 2 LP set on forest green color vinyl. Limited Edition. Available at Indie Retailers.

CLEOPATRICK�s sophomore album, FAKE MOON, is a daring leap into new territory for the Cobourg Ontario-based post-rock duo. It�s a record spanning time, influence, and sound, blending lo-fi intimacy with grand, expansive production. For Luke Gruntz and Ian Fraser, this album represents more than just a sonic shift � it�s a bold solidification of their ever-developing creative identity. �It�s the most real thing we could have made,� Luke shares. �I wanted to do something beautiful. It�s a struggle between control and surrender, individuality and belonging. It�s where we are now.� Returning refreshed from a creative breather, after the rigorous post-pandemic touring of debut LP BUMMER, the newest record on their own �Nowhere Special Recordings� is a captivating collision of lo-fi grit, quiet introspection, and overt existentialism. Anchored in refusal of conformity, and captured with what can only be described as the audio equivalent to Playstation 1 graphics FAKE MOON navigates power, vulnerability, and the complexities of individual identity with both rawness and precision. Take �HEAT DEATH,� a visceral opener born out of a corrupted demo session that required a painstaking, stem-by-stem rescue operation that Luke describes as �The will of a technocracy foiled by two humble men.� The song channels its own chaotic origins into a sovereign anthem of defiance, daring a universal authority to �take it from me, man.� FAKE MOON is CLEOPATRICK at their most adventurous. Look overhead and perhaps you�ll spot the orbiting influences of Radiohead�s experimental brilliance, the grounded surrealism of Dijon�s Absolutely, or the raw intimacy of favourites since highschool, Califone. �We�re just trusting our creative compass,� they say. �I actually tried to write BUMMER 2 at first � but it immediately felt as if I was putting on the costume of a 23 year old me. It wasn't coming out honest.� When it came to recording, the pair slowed the process and expanded their crew for the first time. Theyenlisted respected guitarist and multi-instrumentalist Mike Haldeman and the expertise of producer Philip Weinrobe (Adrianne Lenker/Hand Habits/Tomberlin). Hunkered down in Weinrobe�s Brooklyn studio, together they shaped the sound from an �as long as it feels good, it sounds good� approach, where the angular recordings from the pair�s instinctive style of throwing up mics and tracking on whatever device was closest formed its foundations. The lyrics on FAKE MOON are as textured and evocative as the album�s sonics, weaving narratives that feel simultaneously intimate and universal, radiating a tension between fragility and defiance, conspiracy and truth. �BAD GUY� wrestles with guilt, while �HAMMER,� written in a parked car during a Toronto heatwave, explores surrendering to authority for a fleeting sense of certainty. �SARAH� digs into the romance of collective identity, while �PLEASE� reflects on the magnetic pull of groupthink, with its robo-folk soundscape eventually degrading into a somber puddle of digital slush. The concepts and characters on FAKE MOON often manifest as something liminal and nonlinear � like snapshots of emotions or thoughts mid-process. �SOFTDRIVE� takes this even further, as the sprawling instrumental is pieced together from years of recovered demos, videos, and voice notes off a once-busted college hard drive. The result of which is a swirling audio collage that somehow possesses both the intensity of a space shuttle launch and the frictionless peace of a near earth orbit � mirroring the duality of the record itself. Nominated for Canada�s 2022 JUNO as �Breakthrough Group of the Year,� CLEOPATRICK have amassed over 100 million streams alongside multiple sell-out tours in the US, UK, and EU, performed at festivals Lollapalooza, Austin City Limits, and Reading/Leeds, and supported Royal Blood on their US tour. With FAKE MOON, the duo ventures deeper inward, crafting a record that reasserts their artistic ability while holding true to themselves. �This album is one of the clearest steps forward we�ve ever taken,� they say. �We�re immensely proud of it, and we can�t wait to share it with everyone.

Ariana Grande - eternal sunshine deluxe: brighter days ahead - Vinyl 2 LP

eternal sunshine deluxe: brighter days ahead - with nine bonus tracks, including six new songs. 2 LP translucent marble vinyl, gatefold jacket, 24-page booklet featuring lyrics and new photos.

Sierra Ferrell�s 4x GRAMMY award-winning album, Trail Of Flowers, now on Limited Edition �GRAMMY GOLD� color vinyl. One of the brightest young luminaries in roots music today, Sierra Ferrell brings a dose of beautifully strange magic to everything she touches. Trail Of Flowers is brought to life with producer Eddie Spear (Zach Bryan, Brandi Carlile, Chris Stapleton) and additional production by Gary Paczosa (Alison Krauss, Dwight Yoakam, Gillian Welch).

'Glory' by Perfume Genius has a pristine surface and a tender, roiling underside. Mike Hadreas' seventh album is muscular, filled out by his partner in life and songcraft Alan Wyffels and longtime producer Blake Mills alongside the fiercest band Perfume Genius has ever assembled: guitarists Meg Duffy and Greg Uhlmann, drummers Tim Carr and Jim Keltner, and bassist Pat Kelly. These players marshall their power, and Hadreas his macabre imaginings and gallows humor, to humane ends. Perfume Genius pries open a mildewed den full of alienation, longing and desire and let's it bask in the sunlight.

Hard-edged US pop band, Belly, was founded by former Throwing Muses member Tanya Donelly, following her short stint with The Breeders. King is their second studio album on Sire Records, and this is the first reissue on vinyl since the album came out in 1995. Pressed on green vinyl and available in North America for Record Store Day 2025.

Tracklist
Side A
1. Puberty
2. Seal My Fate
3. Red
4. Silverfish
5. Super-Connected
6. The Bees
Side B
1. King
2. Now They�ll Sleep
3. Untitled And Unsung
4. L�il Ennio
5. Judas My Heart

Includes the final live performance of �Summertime Blues� with Dickie Peterson from 2008, along with seven studio cover songs from the �90s, pressed on blue and silver splatter vinyl.

Tracklist
Easy Rider, Piece of My Heart, Roadhouse, Foxy Lady, Sympathy with The Devil, AllThe Girls In The World, No Relief, Summertime Blues (live)

John Braheny�s rare Some Kind Of Change LP, issued on the small Pete label out of Los Angeles in 1968, has the unusual distinction of existing like a psychedelic skeleton in his closet. He never made another record; this one is still largely under the radar even for long time deep divers into buried treasure from the vintage �60s era.
He became quite famous behind-the-scenes in the songwriting and music biz as the top dog LA songwriting coach for people like Lindsay Buckingham, Stevie Nicks, Warren Zevon, Janis Ian, Stephen Bishop and countless others including one of the most successful hit songwriters of all time, Diane Warren, for whom he critiqued 150 songs when she was 15 years old. You gotta wonder if he played his LP for any of them back in the day or hid it away, since it is pretty far out underground stuff, perhaps too far out if your life�s work is steering budding songwriters towards the top of the charts.
It is a full-on psychedelic classic to my ears, every track a winner, with an unusual blend of earthy folk rock veering off into otherworldly atmospheres. Though not a concept album it hangs together like a journey, the psychedelia peaking with an epic extended final track in classic late �60s underground mind expansion style.
John Braheny was born in Iowa on December 9, 1938, first appearing on the early �60s LA folk scene and gigging around the folk circuit out west, there is easily findable video of him on the internet performing live in Vancouver in 1965 if you wanna hear him before the psychedelics kicked in. One of the remarkable things about the LP is that he also produced it, indicating no compromise in getting what was in his head captured on tape the way he wanted it. His arrangements are elaborate, bursting with creativity without losing focus, the songs are warm and human at the core with his innovative use of electronics and effects taking them to uncanny places. He�s a proto singer-songwriter foreshadowing the emergence of that LA scene via a side trip through the Twilight Zone. Familiar and mysterious simultaneously. This psychedelic skeleton in John�s closet is in my personal pantheon of the best late �60s LA solo artist mind blowers right along with very different sounding but astonishing LPs by Darius, Arthur Lee Harper, Damon and the likes.
The players on the album include Rick Cunha on guitar and help with production, he made some LPs of his own. Lisa Kindred on backing vocals came out of the folk scene and is best known for the LP she made with notorious cult leader Mel Lyman in 1969 on Reprise Records titled The Lyman Family with Lisa Kindred - American Avatar. Bass, drums, trombone, trumpet are provided by session musicians with backgrounds in west coast jazz... Don Waldron on tuba is an unusual credit for a psychedelic LP but he also appears on albums by Frank Zappa, Dr. John, and It�s A Beautiful Day. One of the two bassists is Colin Cameron, who also appears on the rare psychedelic Richard Twice LP on Philips Records. John Braheny plays guitar, violin, does the lead vocals and the way-out experimental electronics that kick this record into a higher key.
John�s first visibility as a songwriter in the world at large came with his song �December Dream� which is the opening track on the Stone Poneys with Linda Ronstadt LP Evergreen Vol. 2, also issued in 1968. Soon after he founded the Los Angeles Songwriters Showcase with Len Chandler, published the Songwriters Musepaper, did radio on Pacifica flagship station KPFK, and in 1988 wrote a book which is considered the songwriter�s bible, �The Craft And Business Of Songwriting�, for which he is best known. It is still in print.
He was known around the biz as �the songwriter�s best friend� and the Some Kind Of Change LP merely a footnote in his career. For us psychheads, however, it is one helluva dosed footnote! Several promo 45s were issued at the time so the label did try to work it, without success. The arc is long but this arrow flies higher than ever 56 years on!
GREY DAY opens the LP with warm unassuming transitional acoustic folk rock into singer-songwriter territory. You can hear echoes of later �60s Roger McGuinn and Gene Clark in the vocal but with a more world-weary resignation perfect for the relaxed existential vibe of a grey day where you just wanna sleep your life away. Delicious female backup vocals and a few serene French horn lines give no clue that this trip is gonna leave the laid back porch behind soon... it�s a severe grower as well.
DECEMBER DREAM organically moves towards a more psychy atmosphere, delicate acoustic finger picking and voice reminiscent of early Tim Buckley utilizing spacious drone moves for the verses and vibrant but melancholy full sound on the refrains. The female backup vocals shine again unobtrusively, the lyrics are poignant and complex reflections about a woman and how she affects his mind. Bittersweet, introspective.
DON�T CRY FOR ME shifts gears completely using a tuff bluesy stalker outlaw groove to convey where his head is at as far as society at large goes. It has the same message Jimi Hendrix presented in �If 6 Was 9�, addressed to a straight world left far behind by a deeper way of living free. �I been through so many changes, I know I�m not the same... if I�m not the way that you want me, you can�t make me feel ashamed... I�m free�. The swaggering confidence in the vocal verges on effortless sneering with lines like �I don�t expect you to understand, don�t even care if you�re tryin�, you had your time and now it�s my time�. Spooky backup vocal moves, we are psychedelic now.
TOUR LINE LADIES is where the tuba and horns come in and on one level the most experimental track on the LP despite having no use of electronics or effects. It opens with people recorded inside one of those Hollywood tour buses as they make their way past famous landmarks, movie star homes, etc. and ends on Sunset Strip with the tourists gawking at the hippies. This field recording runs through the entire 5:19 ride as the music alternates between a surreal carnival old timey brass band waltz and a backwoods funk roots rock groove with freaky vocals above both. I have seen vintage footage of �60s tour busses amongst the hippies, this the only song I know about it.
SOME KIND OF CHANGE ends side one with full blown psychedelic moves right from the start, effects, oscillators, backwards drums and anger back at the system for messing up the world. Terrific tuff stalker groove again, alienated pissed off attitude with lyrics like �Afraid to lose your power, afraid to lose your face, kill to keep your manhood, keep me in my place�. 5:47 of heavy psychedelic bliss here with fuzz outro...
LONG WAY HOME opens side two with a straightforward relaxed folk rock pop ambience and can�t go home and have things be the way they used to be lyric. It�s heartfelt and clearly resides at the start of side two for its radio friendly appeal. WARM is just that, in a haunted way. It�s a positive song yearning to turn on the listener to the peace of mind the singer has found. Subtle use of tremolo and leslie effects and a sparse use of electronics add poignance to the proceedings. Warm.
REASON FOR LEAVING has the classic cadence and chord changes of early folk rock with sparse to the point backup and another vocal that brings to mind the earnestness and sincerity of early Tim Buckley. Delicate and assured, resigned to the end of a relationship, an ever growing silence between them, no drama, faded love.
FREE FALL is an �acid-folk� masterpiece coming as the penultimate track on the album. It resides in a space akin to the most psychedelic folk moves Pentangle made circa their �Basket Of Light� LP. Hypnotic eerie trance folk with brilliant use of medieval vibed choral colorings. The words match the sound, brilliantly arranged.
SILVER CORD is the 8:55 long epic closer, opens with electronics and slips into a late-night after-hours jam atmosphere. Sparse but inventive interplay between guitar, bass and drums are shot through with ethereal psychedelic wind effects. There are several movements, a bluesy jazzy groove, raga trance, some lyrical fingerpicking in the middle. There are no vocals, the electronics do the talking here. The tight-but-loose feel in this relaxed jam never gets old for me, the sort of track that could go on for hours and not take one wrong step. Never boring as it is loaded with uncluttered detail. The blend of west coast rock combo and electronics feels like a long lost Fifty Foot Hose basement improvisation... way after hours!

Tracklist
1. Grey Day
2. December Dream
3. Don�t Cry For Me
4. Tour Line Ladies
5. Some Kind of Change
6. Long Way Home
7. Warm
8. Reason For Leaving
9. Free Fall
10. Silver Cord

Bobby Charles was a Louisiana-born singer-songwriter known for swamp pop hits like "See You Later, Alligator" and "Walking to New Orleans." This Bobby Charles rarities collection includes material recorded during the sessions for his self-titled debut album on Bearsville and includes contributions from members of The Band, as well as Dr. John, Ben Keith and David Sanborn. A Record Store Day 2025 exclusive featuring all content that has not previously been available on vinyl.

Tracklist
SIDE A
A1. NEW MEXICO (DEMO)
A2. HOMEADE SONGS
A3. ROSIE
A4. DON�T BE SURPRISED
A5. YOU CAME ALONG
A6. WHAT ARE WE DOING?
SIDE B
B1. PLEASE PLEASE
B2. KEEP COOKIN� MAMA
B3. COWBOYS AND INDIANS
B4. NICKLES DIMES DOLLARS [4:00]
B5. BETTER DAYS [3:37]
B6. JEALOUS KIND [3:50]

This is a newly remastered 2LP yellow coloured vinyl version of The Colourfield's debut album, Virgins & Philistines. Following on from his previous groups, Terry Hall formed The Colourfield, releasing two albums and handful of singles. Their debut was produced by famed producer Hugh Jones, who brought out the diverse sound mixing 1960s and 1970s pop with melodies string arrangements.
This newly expanded edition includes a bonus disc with non-album singles and b-sides.

Tracklist
Side 1: Thinking of You / Faint Hearts / Castles In The Air / Take / Cruel Circus.
Side 2: Hammond Song / Virgins & Philistines / Armchair Theatre / Yours Sincerely.
Side 3: The Colour Field / Sorry (Original Version) / Pushing Up The Daisies / Windmills of Your Mind / My Wild Flame / Little Things.
Side 4: Castles In The Air (Full Length Version) / Your Love Was Smashing / I Can�t Get Enough of You Baby / Things Could Be Beautiful / Frosty Mornings.

The first-ever archival release from Warner's vaults featuring the legendary songwriter, composer, and producer Ry Cooder. This collection includes a rare solo performance recorded at The Main Point in Bryn Mawr, PA, on November 19, 1972. While one track from this performance appeared on a Warner promotional release in 1972, this marks the first time the entire set will be available. On Black Vinyl.

Tracklist
1. Police Dog Blues
2. Comin� in on a Wing and a Prayer
3. Someday Baby Blues
4. Tattler
5. Vigilante Man
6. F.D.R. in Trinidad
7. Ditty Wah Ditty
8. Jesus on the Mainline
9. Goin� to Brownsville

Experience the raw energy and dynamic performance of Cypress Hill with Live at the Fillmore, now available on vinyl for the first time! Recorded at the iconic Fillmore in San Francisco on August 16, 2000, this live album captures the legendary hip-hop group�s powerful stage presence and musical prowess. Relive the excitement with electrifying live versions of hits like �Hand on the Pump,� �Insane in the Brain,� �Cock the Hammer,� and �I Wanna Get High.� The setlist also includes fan favorites such as �A to the K,� �Riot Starter,� and �(Rock) Superstar,� among others.

Tracklist
Side A (16:43)
Hand On The Pump (3:55)
Real Estate (3:16)
How I Could Just Kill a Man (3:22)
Insane In The Brain (3:36)
Pigs (2:34)
Side B (15:15)
Looking Through the Eye of a Pigs (8:02)
Cock the Hammer (3:43)
Checkmate (3:30)

Side C (16:08)
Can�t Get the Best of Me (3:59)
Lick a Shot (3:37)
A to the K (4:55)
I Ain�t Goin Out Like That (3:37)

Side D (16:56)
I Wanna Get High (2:11)
Stoned Is the Way of the Walk (1:58)
Hits From the Bong (2:52)
Riot Starter (3:49)
(Rock) Superstar (6:06)

This record hasn't been available on vinyl for decades! One of the very early records in the MPS catalogue and long a collector�s item.
Recorded in 1965, a time when Davis lived in Europe, working with such legends as Kenny Clarke, Eric Dolphy, Elvin Jones and Art Blakey. On Happy Girl he is accompanied by Woody Shaw on the trumpet, Larry Young on piano, bassist Jimmy Woode and drummer Billy Brooks. Available again for the first time for RSD 2025! 12" LP, Black, 180g, Gatefold including booklet.

Tracklist
1. The Flute In The Blues
2. Spring Can Really Hang You Up The Most
3. Happy Girl
4. Evolution
5. Theme From Zoltan
6. Along Came Byrd
7. Mister E.

Grammy-winning singer-songwriter Jackie DeShannon got her start singing gospel at home and in church as a child in her native Kentucky, and then singing country songs in her teens on her own weekly radio show, followed by rockabilly in the late 1950s. But her career really started in full swing after she moved to Los Angeles in the early 1960s and signed to Liberty Records and its song publishing arm, Metric Music, where she would write on her own as well as in collaboration with Sharon Sheely, Randy Newman, Jack Nitzsche, and Jimmy Page. Her recordings during this time initially emphasized rhythm-and-blues material and then embraced the folk era blending with west coast country rock and the Southern California sound.

As a staff member of Metric Music, Jackie created a countless number of demo recordings. Although some of these have appeared on unofficial/bootleg CDs over the years and a few were sprinkled in her with her Liberty/Imperial releases, there has never been a complete authorized commercial issue of DeShannon demos until now.

Covering the years 1966-68, LOVE FOREVER offers over 16 demo selections by Jackie which reflect the decade's shift to a more introspective songwriting approach. Although Jackie enjoyed major hit singles such as "What the World Needs Now Is Love" and her evergreen anthem "Put a Little Love in Your Heart," her craftsmanship as a tunesmith took a more personal tack here. And with recollections by Lady Love herself incorporated into Richie Unterberger�s liner notes as well as photographs from her private collection, LOVE FOREVER paints a picture of a timeless artist evolving with the times, on her way to new creative territory in the 1970s with career crowning compositions and recordings at Capitol, Atlantic, Columbia, and Amherst Records. And best of all, 10 of the 16 tracks have never appeared ANYWHERE (and only one on vinyl), so most of the tunes and tracks on LOVE FOREVER will be new even to DeShannon devotees. Pressed for Record Store Day in Valentine red with white swirl vinyl limited to 1250 copies worldwide.

Tracklist
A1. Where the Roses Go
A2. Nicole
A3. Children & Flowers
A4. Only You Can Free My Mind
A5. The Greener Side
A6. More Than I Am
A7. Effervescent Blue
A8. Love Forever Stay

B1. A Lot of Lovin�
B2. Rose Colored Glasses
B3. Girl in Love
B4. Distraction
B5. More Time in the Day
B6. No, My Love
B7. There Comes a Time
B8. It Shines on You Too

The Dictators have been, are, and always will be the living, fire-breathing definition of Rock and Roll. This re-issue of their classic 2001 album D.F.F.D. (Dictators Forever, Forever Dictators) contains the hit "Who Will Save Rock and Roll?" and the live staples/fan favorites "It's Alright," "Savage Beat," "Pussy and Money," and more.
Just another example of all their records - you don't cherry pick, you just drop the needle and contact!! Includes the very special bonus track, "Sonic Reducer,� a relic of the days when rock ruled the culture!
The first time on vinyl since its initial pressing, remastered by Brian Anthony, including an unreleased gem, an homage to their fellow punk rock pioneers, The Dead Boys. Turn it up!!!

Tracklist
Side One
1. Who Will Save Rock and Roll?
2. I am Right?
3. Pussy and Money
4. Moronic Inferno
5. What's Up With That?
6. It's Alright
Side Two
In The Presence of a New God
2. Avenue A
3. The Savage Beat
4.Channel Surfing
5. Jim Gordon Blues
6. Burn, Baby, Burn!!
7.(Bonus Track) Sonic Reducer (Dead Boys Cover)

Grammy Award-Winner, Blues Hall of Fame, Rock n Roll Hall of Fame, Songwriters Hall of Fame - Next to Muddy Waters, Willie Dixon is recognized as the most influential person to shape the post�World War II sound of the Chicago blues.�

What Happened to My Blues is considered one of Willie Dixon's finest albums as a group leader. This vinyl package includes an OBI side strip, cardboard jacket, printed inner sleeve and Bright Orange color vinyl.

Moon Cat
What Happened to My Blues
Pretty Baby
Got To Love You Baby
Shakin' the Shack
Hold Me Baby
It's So Easy to Love You
Oh Hugh Baby
Put It All in There
Hey Hey Pretty

GEEZYWORLD 2 - which follows his acclaimed 2021 solo debut album, GEEZYWORLD - includes breakout hit single, "GEEKALEEK (Ft. Cash Kidd)," as well as the recently released special bonus remix, "GEEKALEEK REMIX (Ft. BIA)." Now boasting over 17.5M+ global streams and counting, "GEEKALEEK" - which sees Ohgeesy flowing over a repurposed sample of Petey Pablo's 2003 crunk smash, "Freek-A-Leek" - was met by instant praise from such outlets as REVOLT and Passion of the Weiss's "The Rap-Up," which declared it "an early contender for song of the summer."