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The title track from can be interpreted literally or as metaphor concerning a wider issue. In this case, Fela's topic is the colonialism-induced inferiority complex which led many in Africa's new governing elites to reject African style, concepts of beauty and modes of behaviour in favour of European imports. Gentleman's other tracks, \"Fefe Naa Efe\" and \"Igbe,\" have briefer lyrics. On \"Fefe Naa Efe,\" an Ashanti motto from Ghana, Fela tells a woman dumped by her boyfriend that she must get over the heartache and move on. On \"Igbe\" (shit), Fela declares that anyone who betrays a friend is shit, and that anybody who lacks self-respect is shit - something you want to expel from your body as soon as possible. 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The two artists decided to record the album as a round-up to the tour. Ayers describes the experience saying, \"I met Fela Kuti in Nigeria in 1979, and we fell into a great relationship, good personal and music vibes, and we recorded that album together. Fela also came to USA in the eighties and we performed at NYC's Madison Square Garden. Amazingly energetic, Fela Kuti had a very original concept that was called Afro Beat - a genre with a very unique identity and exceptional music. One of Fela Kuti's most impressive qualities was that he was undeniably a brilliant show man, as a musician and as a huge dancer as well. His African concept was truly original... 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Roforofo Fight is the fourth in the series of celebratory Fela 50th Anniversary reissues. Like it's predecessors in the series, this version will be on color vinyl and the LP will be wrapped in a gold foil obi-strip with a brief essay on the album and Fela's global impact on music. Like Fela's other early 70's releases he uses each side of his LPs to create a deep groove that pulls the listener in and follows with metaphoric lyrics that call out and critique the corrupt hangover of colonialism. The lyrics of the title track illustrate Fela's frustration at intolerant, violent human behavior by depicting a fight that breaks out in the streets in Lagos. The second song 'Go Slow' is a 17:22 minute groove of super funk featuring the deep rhythmic interplay that is a hallmark of Fela's Afrobeat. 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Shakara is one of a clutch of early 1970's albums, on which Fela's Afrobeat transitioned from stage to something approaching full-grown form. Shakara (1971) includes three of mature Afrobeat's signature ingredients. There are two guitarists, rhythm guitarist Tutu Shoronmu and tenor guitarist Segun Edo. The pair's repetitive, interlocking riffs - part melody, part rhythm - play a similar role to the rhythm and mi-solo guitars used in contemporary Congolese rumba. Fela's Broken English lyrics extend his music's audience beyond Yoruba speakers and make his words understandable across Anglophone Africa. And female backing vocalists echo Fela's lead vocals in what was to become Afrobeat's trademark call-and-response pattern. In \"Lady,\" Fela highlights the adoption of European social habits to the detriment of African culture. \"Shakara\" is a mainly instrumental track, with a brief lyric, sung in Yoruba, warning against boasters and braggarts. 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On the title track of 1976's Zombie, Fela and the backup singers ridicule the mindset of men in uniform over an urgent, quick-march accompaniment from Afrika 70. \"Attention! Quick march! Slow march! Salute!\" sings Fela, \"Fall in! Fall out! Fall down! Go and kill! Go and die! Go and quench!\" Each phrase is followed by the women singers' taunting response, \"Zombie!\" Just a few months later on 18 February, 1977, around 1,000 soldiers, most of them armed, swooped on the Kalakuta Republic. Fela was badly beaten, sustaining a fractured skull and several broken bones. His mother, then aged 77, was thrown out of a window, fracturing a leg and suffering deep trauma. The army then set fire to the compound and prevented the fire brigade reaching the area. The blaze gutted the premises, destroying six Afrika 70 vehicles, all Fela's master tapes and band equipment, a four-track recording studio, all the residents' belongings and, for good measure, the free medical clinic run by Fela's brother, Dr Beko Ransome Kuti (who was also severely beaten in the attack). The first journalists to arrive on the scene were assaulted by soldiers. Inquisitive passers-by were similarly set upon. 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