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Really simple, minimal disco a la Giorgio Moroder or Cerrone, actually Max Berlin (Jean-Pierre Cerrone) IS Cerrone's brother!On the flip we have The Woodleigh Research Facility - 'Borderland' (Andrew Weatherall Mix). 'Borderland' is a beautiful collaboration between Woodleigh Research Facility's Nina Walsh and viola virtuoso Sarah Sarhandi. Andrew Weatherall set Sarah's strings to an energetic electro glam stomp. A cracking kosmische, motorik 'Pomp \u0026amp; Circumstance' march, with something of Depeche Mode \/ New Order about it. 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Emotion Factory Reset captures a band that continues to evolve while staying rooted in the heavy metal foundation they helped build in the early '80s. The result is an album that feels both classic and forward-moving-driven by sharp songwriting, dynamic arrangements, and the unmistakable voice of John Bush leading the charge.Tracks like \"Close to the Bone,\" \"Every Man-Any Man,\" and \"Hit a Moonshot\" showcase everything that makes Armored Saint essential: powerful riffs, groove-driven rhythms, and a willingness to push beyond traditional metal boundaries. There's a confidence here-honed over decades-that allows the band to experiment without ever losing their identity.Produced by bassist Joey Vera and brought to life by a top-tier production team, Emotion Factory Reset delivers a modern, punchy sound while preserving the grit and authenticity longtime fans expect. 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Few bands captured the theatrical danger, speed, and raw electricity of mid-'80s American metal quite like Lizzy Borden. The Murderess Metal Road Show documents the band at a moment when everything was clicking-songs sharpened by the stage, performances fueled by chaos, and a reputation that was spreading fast through the Los Angeles metal underground.Recorded live at Chuck Landis' Country Club in Reseda, California on Friday, December 13, 1985, this album arrived astonishingly early in the band's career-just one EP and one studio album in. Instead of waiting years to issue a live release, Lizzy Borden chose to capture the intensity of their shows while the danger still felt real. 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On these 10 tracks, the trio conjure an array of transportive sonic-emotional realms by refracting Holland Andrew's singular vocal gestures through live processing, percussion, and keys. A living development of the trio's sold-out 2024 performance at NYC's Issue Project Room, REMAIN is the sound of the tangled effects civilization has bred into all of us. Andrews, Wyland, and Niekrasz have been collaborating for more than a dozen years and the sanctity of their friendship and musical bond is palpable on this record. The trio demonstrates that improvisation at the highest level is a radical act of love and trust. REMAIN progresses through a series of otherworldly ballads, sleight-of-hand grooves, ecstatic keenings, and roiling drones. The track Stories of My Mother features the bass and synth wizardry of prolific sideman Shahzad Ismaily. 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