{"title":"Hip Hop \u0026 Rap [Cassettes]","description":null,"products":[{"product_id":"pre-order-el-michels-affair-enter-the-37th-chamber-cassette","title":"El Michels Affair - Enter the 37th Chamber [Cassette]","description":"\u003cp\u003eOriginally released in 2009 on Fat Beats Records, Enter the 37th Chamber transformed iconic Wu-Tang Clan songs into gritty, fully live instrumentals inspired by the cinematic production style of RZA. What began as an experimental tribute quickly became a worldwide cult classic embraced by DJs, record collectors, hip-hop fans, and members of Wu-Tang themselves. After hearing the project, RZA famously said: “This is American music right here.”\u003c\/p\u003e\u003cp\u003eLed by saxophonist\/organist Leon Michels and producer\/engineer Jeff Silverman, El Michels Affair blends vintage soundtrack music, early reggae, and raw analog soul into what the group calls “Cinematic Soul.”\u003c\/p\u003e\u003cp\u003eOver the years, the album has taken on a life of its own, heard everywhere from independent record shops and radio stations to restaurants, film sets, and even theme parks across multiple continents. Nearly two decades later, Enter the 37th Chamber remains one of the defining releases in the Fat Beats catalog and a landmark recording in instrumental hip-hop and cinematic soul.\u003c\/p\u003e\u003cp\u003eThe vinyl features an embossed jacket with spot gloss on upgraded weight paper stock and a special color variant.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDuel Of The Iron Mics\u003c\/li\u003e\n\u003cli\u003eC.R.E.A.M.\u003c\/li\u003e\n\u003cli\u003eMystery Of Chessboxin'\u003c\/li\u003e\n\u003cli\u003eCan It All Be So Simple\u003c\/li\u003e\n\u003cli\u003eUzi (Pinky Ring)\u003c\/li\u003e\n\u003cli\u003eInterlude\u003c\/li\u003e\n\u003cli\u003eGlaciers Of Ice\u003c\/li\u003e\n\u003cli\u003eCherchez La Ghost\u003c\/li\u003e\n\u003cli\u003eCriminology\u003c\/li\u003e\n\u003cli\u003eHeaven \u0026amp;amp; Hell\u003c\/li\u003e\n\u003cli\u003eBring Da Ruckus\u003c\/li\u003e\n\u003cli\u003eProtect Ya Neck\u003c\/li\u003e\n\u003cli\u003eIncarcerated Scarfaces\u003c\/li\u003e\n\u003cli\u003eShimmy Shimmy Ya\u003c\/li\u003e\n\u003cli\u003eOutro\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 784085105668\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fat Beats\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Cassette\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fat Beats","offers":[{"title":"Default Title","offer_id":41158215860296,"sku":"784085105668","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/6737\/0568\/files\/4519468-3610048.jpg?v=1781215187"},{"product_id":"pre-order-del-the-funky-homosapien-future-development-cassette","title":"Del The Funky Homosapien - Future Development [Cassette]","description":"\u003cp\u003eFuture Development is Del the Funky Homosapien’s third album and, following his departure from major label Elektra, his first solo full-length for his independent label, Hieroglyphics Imperium Recordings. Originally released on cassette in 1997, and later reissued on CD and vinyl in 2002, the album largely relied on in-house production from Del along with contributions from Hiero crew members A-Plus, Opio, and Toure. The only guest feature on the album is from crew member Casual, who joins Del on the energetic “Checking Out The Rivalry.”\u003cbr\u003e \u003cbr\u003eSonically, Future Development bridges the funk-heavy stylings of Del’s debut with the darker, more futuristic textures he explored on No Need for Alarm. Lyrically, Del refines his rapid-fire wordplay with sharper thematic focus, tackling life in Oakland, societal observations and hip-hop culture, all with a blend of humor, streetwise insight, and multi-syllabic dexterity. Ultimately, the album captures a snapshot of his progression from raw talent to a more conceptually matured songwriter. 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It is an intriguing pairing; Haram is one-half ofthe duo 700 Bliss with rapper and poet Moor Mother and has several solo records underher belt-including 2025's critically acclaimed Beside Myself (Hyperdub)-and highprofile collaborations with BbyMutha, Fever Ray, Ghais Guevara, and Armand Hammer.Meanwhile, although Critical Thot is Sha Ray's official debut album, her reputation as anext-wave talent precedes her. Haram got wise in 2022 when she saw Sha Ray performat a show in Brooklyn.\"We spoke at the venue and after that I followed her on social media. She gave anincredible performance, so later on when she slid in my DMs asking for beats, I wasalready on board,\" Haram explains.An Armand Hammer\/DJ Haram show in LA was the nexus for these connections toyield fruit. Sha Ray flew down from the Bay to link with Haram, and although the twodidn't end up recording anything that day, it was the springboard for the cross-countrycollaboration that culminated in Critical Thot. The whole album was made remotely:Haram cooking up beats in Brooklyn and sending them to Sha Ray, who would sendback demos and notes. They got to know each other as artists, and as people, while theyworked on this project.\"Haram and I have had so many overlapping experiences working as women in themusic industry, which really enriched our bond. That, and her very striking approach toproduction, really inspired a lot of the writing on this record,\" Sha Ray says.That writing is razor sharp and refreshingly direct. Sha Ray quickly proves herself to bein a class of her own, navigating even the knottiest of DJ Haram productions withouttaking her foot off the gas. Haram digs deep into her bag with beats that run the gamutfrom experimental and abrasive to slinky fun to darkly foreboding. Percussive thuds andshots are layered with intricate details and soft linings. A trappy banger dissolves intoa flood of strings. A sparse industrial soundscape slowly coheres into a cacophonousuppercut of a rap record. Sha Ray bobs and weaves her way through every drum breakand synth with a defiant ease.\"As a rapper I'm pretty exclusively interested in interrogating misogyny and sexuality inmy work. Critical Thot is a deliberation on unapologetic feminine authority, while beingvery honest about the complicated truth of being a participant in self-objectification,and sexuality as a social currency,\" Sha Ray elaborates. \"This record focuses a lot ondefining power in feminine sexuality as relational and ever-shifting, and thus inherentlyimperfect. 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The return of AZ to the forefront of the rap scene is officially marked by his elevated new album, Doe Or Die III. The RIAA certified platinum artist with long time collaborators like Nas, The Wu-Tang Clan, Mobb Deep, and many Hip Hop icons is back to finish the trilogy which started 30 years ago, reminding the rap game that his legacy is forever cemented.\u003c\/p\u003e\u003cp\u003eFollowing the massive success of his previous masterpiece, this new body of work serves as an evolution from his first Doe or Die album to now. Doe or Die was the intro as AZ made a name for himself. Doe or Die II cemented the legacy, and Doe or Die III is the masterpiece painting the picture of where AZ is now, a legend.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Origin (Intro)\u003c\/li\u003e\n\u003cli\u003eNo Need For Lactose\u003c\/li\u003e\n\u003cli\u003eGimme The World\u003c\/li\u003e\n\u003cli\u003eUniqueness\u003c\/li\u003e\n\u003cli\u003eSo High\u003c\/li\u003e\n\u003cli\u003eHo Happy (Skit)\u003c\/li\u003e\n\u003cli\u003eStill Jackie\u003c\/li\u003e\n\u003cli\u003eSurprise\u003c\/li\u003e\n\u003cli\u003eFresh Water\u003c\/li\u003e\n\u003cli\u003eWinners Win\u003c\/li\u003e\n\u003cli\u003eI Was Once There Too\u003c\/li\u003e\n\u003cli\u003eLove My Life\u003c\/li\u003e\n\u003cli\u003eWe Made It (Outro)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 820233171151\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Quiet Money Music\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.10.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Cassette\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Quiet Money Music","offers":[{"title":"Default Title","offer_id":41158224904264,"sku":"820233171151","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/6737\/0568\/files\/4514640-3596057.jpg?v=1781215329"},{"product_id":"pre-order-the-cool-kids-and-don-cannon-gone-fishing-anniversary-edition-cassette","title":"The Cool Kids and Don Cannon - Gone Fishing (Anniversary Edition) [Cassette]","description":"\u003cp\u003eThe Cool Kids \u0026amp; Don Cannon \"Gone Fishing\" originally came out on May 5, 2009 as a mixtape that served as a prelude to The Cool Kids' official debut album \"When Fish Ride Bicycles\". It came out a year after their breakout project \"The Bake Sale\" cemented them as leaders of the new wave of hip-hop now widely known as \"The Blog Era\".\u003c\/p\u003e\u003cp\u003e\"Gone Fishing\" enlists the help of Don Cannon, DJ, producer and record executive known best for his mixtapes with Nas, Lil' Wayne and Big Sean. His collaboration with The Cool Kids is his most successful mixtape to date.\u003c\/p\u003e\u003cp\u003e\"Gone Fishing [Anniversary Edition]\" remixed, remastered and out for the whole world to hear on DSPs, 2XLP vinyl, CD and cassette for the first time. This latest release features a remix of \"Champions\" and a brand new song called \"Big Fish Small Pond\" along with the original classics \"Pennies (The Updated Rosters Remix)\" featuring Ludacris and Bun B., as well as \"Weekend Love\" featuring Ryan Leslie and The S.O.S. Band.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntroduction to Ice Fishing\u003c\/li\u003e\n\u003cli\u003eHammer Brothers\u003c\/li\u003e\n\u003cli\u003eChampions (Remix)\u003c\/li\u003e\n\u003cli\u003eGold Links\u003c\/li\u003e\n\u003cli\u003eCinnamon\u003c\/li\u003e\n\u003cli\u003ePremium Blends (feat. Shorty K)\u003c\/li\u003e\n\u003cli\u003eStep Back\u003c\/li\u003e\n\u003cli\u003eJump Rope (feat. Tennille)\u003c\/li\u003e\n\u003cli\u003eThe Last Stretch (feat. Jahda)\u003c\/li\u003e\n\u003cli\u003eThe Art of Noise (Interlude)\u003c\/li\u003e\n\u003cli\u003eThe Light Company\u003c\/li\u003e\n\u003cli\u003ePopcorn\u003c\/li\u003e\n\u003cli\u003eWise Words by GLC\u003c\/li\u003e\n\u003cli\u003ePennies (The Updated Rosters Remix)(feat. 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[Cassette]","description":"\u003cp\u003eIt's five years in a blender. It's every troublesome misunderstanding of a half-decade relationship distorted and stretched into an absurdist black comedy mini-series on wax. It's the sound of every fight we ever had, playing simultaneously. It's several consecutive voice notes that you did not listen to, and instead read the transcription. It's fifteen songs from iconoclastic rapper Mike Eagle and innovative producer Kenny Segal. It's the world's first half-whimsical break-up album. It's DOOMED!It's also LA. Maybe not first and foremost, but Los Angeles runs deep in this record's present, and it's lineage. The story of any big city is also one of transplants. DJ Premier in New York, Tupac in California. If you build it, they will come. Mike and Kenny both arrived in LA as young, aspiring artists who were drawn to the scene around groundbreaking rap crew Project Blowed. They have been friends-and occasional collaborators-for almost twenty years. Despite that, DOOMED! Is the first time the two have put together a full body of work. But everything happens in it's time, and fate worked to bring them together at the exact moment that would allow the duo to create something extraordinary. Mike, fresh off a string of multi-producer records and processing the end of a tumultuous relationship, was in need of creative catharsis. Meanwhile, Kenny had locked in on his next challenge after a recent string of critically acclaimed collaborations not only with rappers like billy woods, and K-the-I?, but also jazz trio Human Error Club and bluesy indie rocker Benjamin Booker.\"In recent years, Kenny made it very clear that he wasn't trying to keep having one or two beats on my projects; he wanted to build something,\" Open Mike Eagle explains. \"I was able to convince him to let me use a couple beats for Neighborhood Gods Unlimited with the caveat that we would focus on our thing next. 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On Yaphet, Castro draws inspiration from the Blaxploitation film genreof the 1970's; using that era's black heroes and antiheroesas a launching pad for his cinematic lyricism. Flows switchas effortlessly as camera angles, verses are saturated withreferences and entendres, it's an endlessly rewind-worthyrap masterclass. But Yaphet is also Castro's first soloalbum since 2021's Little Robert Hutton, and beneath thefireworks, this album reflects the depth of his experiencesin those intervening years.\"\"I didn't set out to be so honest about my life, but that's whatcame out and the album is better for it, \"\" Castro explains, \"\"from facing the death of my infant daughter, to my father'sdeath, to facing my own impending mortality, these are mymost vulnerable blades, on my deepest cuts.\"\"Like Castro, this record marches to the beat of it's drum, andmake no mistake, there are drums a-plenty for the veteranMC to spar with, as only he can. 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What started as pure chemical reaction on 2019’s “RNP” slowly turned into one of hip-hop’s most natural, low-ego partnerships, fueled by back-and-forth gems like “Two Tens” and “Summer Drop” and a series of dynamic TV performances that felt more like two best friends hanging out than a polished routine. On their debut collaborative album, Heavy Is The Crown, that organic bond gets the full-length treatment it’s always deserved.\u003c\/p\u003e\r\n\u003cp\u003eAt its core, the project is a tightrope walk between serious real-life stakes and uncompromising fun. The title isn't just bravado—it speaks directly to the shared weight both artists carry as the primary providers and anchors for their families. But instead of letting that pressure crush the vibe, .Paak and Cordae lean into each other. 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For more than a decade, Serengeti has used his mustachioed, Chicago-born alter ego to build one of rap's funniest, strangest, and most unexpectedly poignant character studies. Kenny is a blue-collar hero, family man, sports obsessive, aspiring entertainer, and endlessly unreliable narrator whose everyday victories, anxieties, grudges, and digressions have grown into a richly detailed mythology all their own.Across twelve tracks, KennyV opens another chapter in that saga, balancing absurdist humor, intricate world-building, sharp wordplay, and genuine emotional weight. Serengeti's conversational performances make even Kenny's most surreal observations feel lived-in and deeply human, revealing new layers of the character while remaining accessible to listeners encountering him for the first time.Production comes from Backwoodz Studioz mainstays Messiah Musik, known for his work with Armand Hammer, billy woods, and Mach-Hommy, and Steel Tipped Dove, whose credits include Fatboi Sharif, Doseone, ShrapKnel, and milo. Together, they provide an evocative and unconventional backdrop perfectly suited to Serengeti's unmistakable voice and unpredictable storytelling.Previously available digitally, KennyV now receives a long-awaited physical edition from Backwoodz Studioz on vinyl, CD, and cassette. A distinctive addition to the Kenny Dennis canon and Serengeti's celebrated catalog, these editions are essential for longtime fans, adventurous hip-hop listeners, and collectors of truly original independent rap. 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Those who know say the name with a certain reverence. If you will allow an imperfect analogy, Ladd is underground hip hop's Terrence Malick: an uncompromising auteur whose early work was both unconventional and critically acclaimed before he abruptly withdrew from the scene he helped build and decamped to Paris, never to be heard from again. Of course, the reality is more complex than the legend. Mike Ladd never stopped making music; over the years he's popped up on all sorts of unexpected collaborations-who could forget his searing appearance on billy woods' Aethiopes-soundtracked a Netflix series, and worked with visual artists in settings like the Pantheon in Paris. That's not even counting all the stages he ripped as part of various touring bands and live acts. Still, Ladd's last solo album was more than ten years ago, and his magnum opus Welcome to the Afterfuture dropped in early 2000. If we are going to follow the analogy, Nonechosen is Mike Ladd's The Thin Red Line. A granite testament to the fact that the artist has evolved and grown, but maintains the same gravitas that made his name what it is. Here we are, deep into the Afterfuture and it's as though Ladd had always been waiting for this time, building towards this moment.\"Now you know why I remained in my station,\" he raps on Nonechosen, confident that his patience has paid off. Nonechosen is a solo album, but Ladd will be the first to tell you that he didn't do it alone; He has always worked with old friends. No Surrender and Tom Degeeter collaborated on respective tracks. Once Mike got the record 95% there with his own production, he passed it on to Preservation, who, with a few well-placed tweaks, elevated the project to new heights. 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