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I'd forgotten about it completely.\" He's referring to Then Again, which he recorded and shelved two decades ago before moving off into new directions. Since then, the album has been biding it's time, waiting for the moment when it's songs would hit hardest. And they hit incredibly hard now, largely because age and experience have granted Crowell a richer perspective. \"I'm glad I put it on the shelf, because now is the time for it. It may not be the time for it for the rest of the world, but it's time for it for me. That's why I wanted to call it Then Again. I thought that was a clever way of saying that what was happening then is happening now. 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From her Grammy-winning songwriting roots on Eminem's \"The Monster\" to global chart-toppers with David Guetta and Florida Georgia Line, Rexha has established herself as a premier musical chameleon. With her latest project, Dirty Blonde, she officially enters a new era as an independent powerhouse. Now signed to EMPIRE, the Brooklyn-born star has crafted a 13-song \"genre kaleidoscope\" that serves as her first-ever visual album, representing a total creative rebirth and a departure from the major-label system she's known since she was a teenager.Recorded across London, Tokyo, and Europe, Dirty Blonde captures the energy of Rexha's global travels. The project seamlessly blends heavy-hitting dance floor anthems with deep, personal storytelling. With the lead single \"New Religion\" she takes us straight to the club by reimagining the iconic dance record \"Insomnia\" by Faithless. 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It marks the band’s first record in ten years since 2016’s For All Kings, which debuted in the Top 10 of the Billboard 200. CURSUM PERFICIO will be available in various physical configurations to pre-order\/pre-save; click HERE. The phrase Cursum Perficio is Latin for “My journey has come to an end,” “My journey is over,” or “I complete my journey.” It proves apropos for such a complete body of work.\u003c\/p\u003e\u003cp\u003eFor CURSUM PERFICIO’s first single and video, “It’s For The Kids,” the quintet bulldoze the way for the album’s impact. It’s a classic ANTHRAX ripper locked and loaded with buzzsaw-sharp riffs, explosive drumming, and a howling and head-banging hook. 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The trailblazing Toronto outfit was founded by songwriting and production partners Emily Haines and Jimmy Shaw, along with bandmates Joshua Winstead and Joules Scott Key. Though both were also founding members of the influential and sprawling Canadian indie rock outfit Broken Social Scene, Metric was always the top priority, and shortly after they met and cemented their mission, they left Toronto for New York in search of like-minded artists. There, they found themselves at the center of the city's burgeoning indie sleaze scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol.\u003c\/p\u003e\u003cp\u003eTheir 10th studio album Romanticize The Dive harkens back to the free spirit of that era, kicking off with Haines nostalgically imploring the listener to \"let me take you back, it was the start of something...\" before pulling back the curtain on a band that has consistently stayed true to each other and their ethics for decades. 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Multi-platinum chart-topping global pop powerhouse Zara Larsson kicks her boldest era yet into overdrive with her heavily anticipated new album Midnight Sun. Created over the last year with frequent collaborator MNEK, alongside producer Margo XS and songwriter Helena Gao, this album is her best work to-date. It's storytelling bursts with truth and vulnerability, plumbing the depth and growth of Zara's artistry and journey over nearly 20 years in the public eye. 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What followed is his first solo album in fifteen years — twelve songs of soul, country, early rock 'n' roll, and gospel, made with a community of friends and collaborators that spans five decades of American music.\u003cbr\u003e\u003cbr\u003eThe album opens with \"As Long as I Have You,\" the early Temptations hit, anchored by the McCrary Sisters, who appear throughout. From there it moves through Julie Miller co-writes (\"You Never Really Get Over It,\" \"Losers' Celebration,\" \"Masterpiece in the Sand\"), a late-period Dan Penn song (\"Not Enough Time to Change\"), and Jesse Winchester's devastating \"Lay Down the Burden of Your Heart.\" The guest list reads like a lifetime of earned trust: Shawn Colvin and Jim Lauderdale — both going back to Buddy's New York country band of the early '80s — stop by to sing. Dan Penn lends sly gravitas to the Smokey Robinson-penned \"Don't Look Back.\" The War \u0026amp; Treaty deliver a stunning take on the Winchester track. Lee Ann Womack duets on \"Stop Me.\" Emmylou Harris, Larry Campbell, and Teresa Williams join on the hymn-like \"The Inner Sanctum of God.\" And \"Till the Wheels Come Off\" — written about Buddy and Julie's love by Ashley Monroe, Elizabeth Cook, Angaleena Presley, and Meg McRee — arrives as an act of communal devotion.\u003cbr\u003e\u003cbr\u003eThe core band (Fred Eltringham, Viktor Krauss, Tim Lauer, Steve Fishell, Fats Kaplin) plays with the understated nuance of musicians who have nothing left to prove. 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Co-produced by Charley and his creative kindred spirit, GRAMMY® Award-winning producer Shooter Jennings, the bulk of the album was written and recorded with Charley’s band The Blue Drifters in Clovis, New Mexico, at the iconic Norman Petty studios, a national landmark where legendary artists like Buddy Holly, Roy Orbison, Waylon Jennings, and more had recorded some of their biggest hits in the 1950’s.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Hallelujah Trail\u003c\/li\u003e\n\u003cli\u003eDown by Law\u003c\/li\u003e\n\u003cli\u003eOne Eyed Jack\u003c\/li\u003e\n\u003cli\u003eImage of a Woman\u003c\/li\u003e\n\u003cli\u003eEagle and the Crow\u003c\/li\u003e\n\u003cli\u003eTop Hand\u003c\/li\u003e\n\u003cli\u003eCountry Music\u003c\/li\u003e\n\u003cli\u003eLast Night at the Alamo\u003c\/li\u003e\n\u003cli\u003eClovis\u003c\/li\u003e\n\u003cli\u003eDon't Take Your Guns to Town\u003c\/li\u003e\n\u003cli\u003eAlbuquerque Lights\u003c\/li\u003e\n\u003cli\u003eI Ain't Riding Anymore\u003c\/li\u003e\n\u003cli\u003eHonky Tonk Philosophy\u003c\/li\u003e\n\u003cli\u003eWaylon Rides Again\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 075678581496\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Atlantic","offers":[{"title":"Default Title","offer_id":41240632426568,"sku":"075678581496","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/6737\/0568\/files\/418467321843_1000.jpg?v=1785215464"},{"product_id":"pre-order-josh-rouse-museums-women-indie-exclusive","title":"Josh Rouse - Museums \u0026 Women [Indie Exclusive]","description":"\u003cp\u003ePart songwriter, part street photographer, Josh Rouse steps out on his new album as an itinerant documentarian capturing the drifters, dreamers, and passing strangers who slip in and out of our lives, and finding himself somewhere in the frame too. Museums and Women is Rouse at his most hopeful and romantic, balancing casual poetry with wry humor across a collection of characters who are searching but never desperate, longing but never lonely.Recorded in Nashville with longtime production partner Brad Jones (Chuck Prophet, Hayes Carll), the album came together almost by accident resulting in loose, unplanned studio sessions with Rouse on guitar, Jones on bass, and Fred Eltringham (Sheryl Crow, The Chicks) on drums, cut live and fresh, morning sessions followed by same-day overdubs. The title itself borrows from a John Updike book Rouse has always loved, and it fits: these songs treat ordinary human connection and it's absence like gallery-worthy art.From the jangly optimism of opener \"\"Spring\"\" to the bossa nova drift of \"\"Sunday In The Country\"\" to the rain-soaked wandering of \"\"Parnell Street,\"\" Rouse's narrators move through the world in transit but never lost, mapping the space between the people we long for and the people we become. \"\"There's always a woman involved,\"\" Rouse says. \"\"Love - or the search for it - is what ties them all together.\"\"It's a fitting return for an artist NPR has called one of contemporary music's most engaging singer-songwriters, whose career spans from his celebrated 1998 debut Dressed Up Like Nebraska through the Goya Award-winning \"\"Do You Really Want To Be In Love.\"\" Nearly three decades in, Rouse sounds unburdened and unhurried, chasing nothing but the joy of the work itself. Museums and Women is proof that the most compelling art is often found in life's quietest, most passing moments.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSpring\u003c\/li\u003e\n\u003cli\u003eJanuary Sky\u003c\/li\u003e\n\u003cli\u003eParnell Street\u003c\/li\u003e\n\u003cli\u003eShort-Order Cook\u003c\/li\u003e\n\u003cli\u003eWanderlust\u003c\/li\u003e\n\u003cli\u003eMuseums and Women\u003c\/li\u003e\n\u003cli\u003eThings Are Looking Up\u003c\/li\u003e\n\u003cli\u003eSunday in the Country\u003c\/li\u003e\n\u003cli\u003eOther Side of the Tracks\u003c\/li\u003e\n\u003cli\u003eRed Apple Road\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396662906\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":41307688960072,"sku":"607396662906","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/6737\/0568\/files\/4532241-3681704.jpg?v=1786459257"},{"product_id":"pre-order-enslaved-mid-indie-exclusive-digipak","title":"Enslaved - Mio [Indie Exclusive Digipak - Bonus Track \u0026 Sticker]","description":"\u003cdiv data-bt-autogen\u003e\u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4065629767952\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Nuclear Blast\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.13.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Nuclear Blast","offers":[{"title":"Default Title","offer_id":41328742891592,"sku":"4065629767952","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/6737\/0568\/files\/418467323783_1000.jpg?v=1787682397"},{"product_id":"pre-order-widespread-panic-albany-2000-indie-exclusive","title":"Widespread Panic - Albany 2000 [Indie Exclusive]","description":"\u003cdiv data-bt-autogen\u003e\u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 781057002727\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Widespread Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Widespread Records","offers":[{"title":"Default Title","offer_id":41354629611592,"sku":"781057002727","price":35.99,"currency_code":"USD","in_stock":false}]},{"product_id":"pre-order-kings-of-leon-o-my-beloved-indie-exclusive-deluxe","title":"Kings Of Leon - O My Beloved [Indie Exclusive Deluxe]","description":"\u003cp\u003eKings of Leon return with 10th album, O My Beloved. For this release, the four-time Grammy-winning family band draws from their own history and builds on their storied legacy to deliver their most personal effort to date. Frontman Caleb Followill describes this—their first self-produced studio album—as “emotional\" and a “love letter to family” that explores themes of \"gratitude and appreciation.\" Available on 2LP and CD, featuring packaging adorned with vintage family photos.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntro\u003c\/li\u003e\n\u003cli\u003eMy Whole World\u003c\/li\u003e\n\u003cli\u003eCold Blue Dawn\u003c\/li\u003e\n\u003cli\u003eThe Hand\u003c\/li\u003e\n\u003cli\u003eRose\u003c\/li\u003e\n\u003cli\u003eMake It Count\u003c\/li\u003e\n\u003cli\u003eKoysar\u003c\/li\u003e\n\u003cli\u003eFeel the Love\u003c\/li\u003e\n\u003cli\u003eBlue Jeans and Diamonds\u003c\/li\u003e\n\u003cli\u003eWarm Company\u003c\/li\u003e\n\u003cli\u003eForever Endeavor\u003c\/li\u003e\n\u003cli\u003ePretty Thing\u003c\/li\u003e\n\u003cli\u003eGet You Down\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 823375309178\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Love Tap Records Llc\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Love Tap Records Llc","offers":[{"title":"Default Title","offer_id":41361284071496,"sku":"823375309178","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/6737\/0568\/files\/4539758-3705165.jpg?v=1789474831"},{"product_id":"pre-order-bilal-nasser-every-martyr-is-a-universe-indie-exclusive-indie-exclusive-1","title":"Bilal Nasser - Every Martyr Is A Universe [Indie Exclusive] [Indie Exclusive]","description":"\u003cp\u003eThe Constellation debut from Palestinian-Canadian guitarist, organiser, and harm-reduction worker Bilal Nasser draws upon his training in classical guitar and influences from punk, post-rock, and contemporary composition. Conceived during the student encampment movement protesting the Gaza genocide, Every Martyr Is A Universe emerges from the impossible question of art's worth and meaning under such conditions, primarily recorded at Nasser's DIY space Uma Loft in Windsor, Ontario and enlisting nine musicians from this community to help render the album's stately orchestrations, channeling a collective response of solidarity, resistance, and lament. Nasser's previous two albums established a distinctive and accomplished acoustic guitar technique rooted in 20th classical, Robbie Basho, and various folkways, with a sensibility informed by shoegaze, ambient electronic, and indie rock. Every Martyr Is A Universe expands on this foundation as Nasser writes for a larger ensemble for the first time. While his acoustic guitar often still anchors this new work, the music is propelled by captivating string and horn arrangements, especially on the pair of longform post-rock meets post-classical pieces that comprise the album's first half.The opening title track unfolds as an elegantly restrained suite for strings, horns, and guitar that conveys elegiac solemnity but refuses conspicuous dolefulness, it's major-key theme expressing requiem as hopeful tribute and ongoing struggle, it's counterpoint melodies weaving communion and resilience. The piece briefly gathers pace toward the middle of it's eleven-minute arc, driven by Nasser's thrumming guitar, a moment of urgency that evokes anxiety, ascendance, and defiance, that gives way to the album's first discordant harmonic shifts and a thematic restatement of fragility, with haunting electroacoustic ambience closing the track in disquietude. This flows directly into \"Erasure\", where we hear Nasser's vaporous vocals for the first time, over a post-classical shoegaze intro that dovetails into a fleeting moment of ambient hardcore before the song's central riff builds in durational repetition, various instruments alternately joining and adorning, ending in a final movement of ebulliently layered Minimalism and rockist drums for the album's most overtly epic passage. Side Two is more rooted in Nasser's prior solo practice: \"And Where They Make A Desert They Call It Peace\" juxtaposes foreboding drone-based sound design with an archival recordingof legendary Palestinian author and militant Ghassan Kanafani, followed by \"Who We UsedTo Be\" and \"Soul Of My Soul\", both featuring Nasser's gorgeously delicate singing and assured songwriting, blending fingerpicked guitar with an ear for organically evolving arrangements full of harmonic and textural detail in an ebb and flow of strings, horns, piano and electronics.Every Martyr Is A Universe also sits powerfully within Constellation's own history and horizons, in stylistic and political conversation with label artists like Thee Silver Mt. Zion, Do Make Say Think, Esmerine, and Black Ox Orkestar. Fans of those bands - and the combination of genre-blending compositional avant-gardism and accessibility, punk-inflected assertiveness andauthenticity, and heart-on-sleeve emotiveness they represent - will find a compelling and complementary voice in Bilal Nasser. 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Boasting features from Kendrick Lamar, Earl Sweatshirt, Ab-Soul, Kelela and B-Real; production from Paul White, Alchemist, Black Milk, Playa Haze, Evian Christ and Petite Noir; and mixed by Derek 'MixedByAli' Ali as the cherry on the cake. The melding of Brown's unique flow and tone with an innovative soundscape, pulling samples from such esoteric sources as 70s German cosmic rock records, radiophonic experiments and industrial techno, set a new high watermark in experimental rap, with tracks like \"Really Doe\" and \"Ain't It Funny\" becoming leftfield anthems.For the tenth anniversary, original sleeve designer Ed Davis has come up with new alternate artwork, with the limited 2LP colour vinyl edition housed in shiny silver mirriboard packaging, printed inner sleeves and an 8 page 12\" booklet. 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